New York Art Displayed at Kauffman Gallery
Tangible, relatable, natural, unifying, broad—all concepts expressed through the artwork loaned to Shippensburg University’s Kauffman Gallery from the Chelsea-based Nancy Hoffman Gallery during the Earth, Air, Fire, Water exhibit this winter.
Each semester, Michael Campbell plans trips to New York City with his art and design students where they digest about three dozen art galleries in one trip. During one of these trips nearly twenty years ago, he met Sique Spence, gallery director at Nancy Hoffman Gallery. Soon after, Campbell asked Spence to judge an exhibit at Ship, and the two have maintained a working relationship since.
This semester, Spence helped Campbell bring a little New York City to Shippensburg. In just over a year, they planned and executed an exhibit for Kauffman Gallery with nearly thirty pieces from nationally recognized artists.
“The beauty about this exhibit is the title was a metaphor for connections. You can talk about this in different disciplines,” he said. “The ultimate goal was that there was something for everyone in this gallery. This is like walking into a gallery in New York City.”
Students today can find anything online—images of the Sistine Chapel, prints from Andy Warhol, and pieces from the Nancy Hoffman Gallery. Campbell said technology certainly provides students greater access to more resources. However, it also makes it harder for students to connect with artwork in a more personal way, he said.
“Technology isn’t a replacement for standing in front of a painting, sculpture, etc., that takes up your whole peripheral. (These galleries) can easily hang something that’s 15 feet square—we’re not accustomed to viewing something like that,” he said.
Over the years, Campbell has noticed it’s a challenge to get students on the New York trip. Some students can’t afford it, others don’t have the time, and some don’t see the value. So, he floated the idea past Spence to curate an exhibit of Nancy Hoffman art at Kauffman and bring these pieces to the Shippensburg community.
“What’s unusual is to have a professor like Michael Campbell come into your gallery and say, ‘You can do anything you want.’ That’s a gift to us,” Spence said. “We had so much fun with this.”
Campbell wanted his students and the community to experience the quality and skill of professional artists represented in one of the art capitals of the world. When he, Spence, and Nancy Hoffman first discussed the exhibit, they strived to illustrate three things—the content of the work, which could be literal or conceptual; the skill level and competency of the artists; and the scale of the work.
“When you’re standing in front of that painting, it’s different than looking at it on an iPad, iPhone, or computer screen,” Campbell said. “You have to make time to have that experience. When students have that direct experience, you can have a conversation. It usually boils down to, ‘Thank you, I had no idea.’ Many students aren’t given these opportunities.”
Setting the Scene
Designing an art exhibit is like telling a story, Campbell said. “Every exhibit is a piece of artwork. The gallery is art in itself.”
From the arrangement of the pieces to the lighting to the traffic flow, the hours that go into planning an exhibit create a dialogue, he said. By walking through the exhibit, he hoped visitors became more conscious of their surroundings and environment.
The exhibit title Earth, Air, Fire, Water was chosen to reach a broad audience and help visitors connect with the pieces in the gallery. The artwork illustrated each element through varied mediums, included paintings, sculpture, photography, video installation, and more. Campbell wanted students from biology to English to engineering and business to find as much value in the artwork and exhibit as his art and design students.
“Coming up with this idea of the elements, we needed something that was broad enough,” Spence said. “The theme came up fairly quickly, and it just kind of popped. It was broad enough and specific enough and plastic enough.”
When Spence sent images to Campbell to choose for the gallery, they considered gallery space, size, theme, and medium. “We were looking for a balance between elements,” she said. “We always think about how the parameters strengthen the show. We try to get a cross section of work and get in as many elements as possible.”
Art and design senior Dessy Cashell is a gallery attendant and helped Campbell assemble the exhibit. She spent more than a week unpacking paintings, arranging lighting, painting walls, and more. “I’ve never helped unpack anything that’s 5-by-8-feet,” she said.
Working behind the scenes gave her a new appreciation for the artwork and exhibit. She experienced how delicately the pieces were packaged and how they were assembled. She glimpsed the light pencil lines behind a giant watercolor, the texture of an oil painting, and pencil drawings that were so detailed they looked like photographs.
“You become more connected to the exhibit.”
Beyond the opportunity to intimately experience the artwork, the university and neighboring community had the chance to speak with Spence. Prior to the gallery opening in January, Spence met with students and faculty in Hubert Art Center to share her story. She also spoke with visitors as part of the exhibit opening.
Students asked about her background, responsibilities, most rewarding experience, and funniest gallery experience (which involved comedian, musician, and art collector, Steve Martin). She discussed diving into the art world, shared what led to her position at Nancy Hoffman Gallery, and imparted advice to the room of young artists.
“I like art that makes me want to go home and make something,” she told students. “Learning about art and the physical experience is like learning how to swim. It makes you notice things. It’s a way to embellish your life. It’s a way to have more fun.”
Shippensburg isn’t the first university to partner with Nancy Hoffman Gallery, and likely won’t be the last. Spence said Nancy Hoffman loves opportunities to share its art with new audiences. “Of course you’re going to do it. I want you to see it,” Spence told students. “You have a voice, and you might tell someone else about it.”
Spence started working with Nancy Hoffman in 1978. As gallery director, she puts the shows together, talks to the artists, develops the schedule, completes condition reports, attends art fairs, and more. “It’s the greatest job ever, and I wouldn’t change anything,” she said. “It can be hard, but it’s always ultimately rewarding. It has been fairly consistent, and yet, it’s always changing.”
She shared this advice with art students: “Create community and be generous with one another. It will pay off.”
Art should never be elitist, Spence said. “We want it to be accessible.”
As part of the exhibit, Campbell reached out to local schools and scheduled mini lessons with area art teachers. In February, five elementary art teachers from the Chambersburg Area School District visited the exhibit.
“This improves our understanding of art, which we then take into the classroom,” Paula Conca said.
“It inspires us more in what we do,” added Barb Nace. “The kids want to hear about it. They want to know what else is outside their world.”
The teachers, who have all taken extended studies classes with Campbell over the summer, have found that many of their students don’t visit art exhibits or museums. Students are fascinated to learn that their teachers draw, paint, and sculpt. “I don’t think they’ve ever been exposed. I don’t think anyone ever talks to them about it,” Nace said.
Even small gestures, such as displaying student work in downtown Chambersburg during IceFest, are thrilling to students, Danielle Black said. “One little girl took pictures of all her classmates’ work. It might not get much exposure, but it’s displaying their work publicly.”
Sharing the skill level and techniques of professional artists at Kauffman Gallery is a treasure, Conca said. She and her coworkers value the opportunities Campbell presents to the community with shows like Earth, Air, Fire, Water and the outreach that accompanies it.
“We have a community who values this and wants it to be here,” Campbell said.
Spence hopes that gallery visitors appreciated the authenticity and context developed through the exhibit. “I hope people walk away from this gallery feeling that art can be beautiful. It’s simple.”